I felt a tugging at my kurta. I looked down and saw a smiling face staring back at me. She reminded me of myself when I was ten: gawky, wearing a neon blue shirt and bright red jeans with a blunt haircut and bangs that were cut unevenly – although, I never had sported a gold and pink nose-ring. This tiny person just wasn’t the picture I’d had in mind of the person who would be meeting us to take us on this particular trip through the maze of residential Dharavi.
I shouldn’t have been surprised – R, one of the field workers at the domestic violence prevention center in Dharavi we’d been working with, had told us she was sending her daughter to get us. And while R was only 26 years old, I knew her eldest was 10. But it was still daunting to watch this little 50 lb girl confidently navigate the way from the hot sunny streets outside the hospital where met into the dark, confusing tangle of houses.
We were finally about to start filming – after months of research, waiting for equipment, delayed meetings, and permission slips signed by the husbands (yes, this was still a requirement for a women’s health organization in order for filming to be allowed), I felt like I understood what these women were doing enough to tell their story. We had decided that we would follow three of the field workers to illustrate the work being done to eradicate domestic violence in Dharavi. All of them had grown up in Dharavi and all of them could have stayed at home like so many other women here– but they had decided to wake up every morning and combat an issue that is so entrenched it’s hard to fathom attitudes changing.
So we were starting with R. We were going to go to her house, film her morning routine and then interview her in her home. I was going with K, my translator, who was going to have to conduct the interviews, since none of the women spoke English. I was nervous about not having control over the interview, even if I had written the questions. I was nervous about not being able to properly shoot a space too small to capture. I was nervous that I couldn’t ever really tell the story properly, since I was so foreign and so clearly outside. But I was certainly going to try my best.
R’s daughter brought us to their home. It was a five-foot by five-foot room, covered top to bottom in lilac tiles. The bed took up a third of the apartment – it was a steel frame cut short so it could fit exactly from end to end of the room. R, her husband, and their three children all slept in this bed, in their windowless house, with one fan every night. When I came in R was lighting incense for a statue of a Hindu god that she had to stand on her bed to reach because it was up in one of the few cupboards the room had. She and her husband had been able to afford a fridge and a television – and the two youngest children were sitting on the bed watching a dubbed Hindi version of Looney Tunes. I watched as Bugs Bunny chewed on a carrot and leaned in to say, “What’s up Doc?”, although the words came out as whatever the equivalent in Hindi was.
R stepped off the bed and greeted us. She told K that she was just going to do her morning routine and we could film whatever we liked. I felt sort of voyeuristic taking out my camera, but I kept reminding myself that she wanted us to be there, she wanted us to make a film about the subject she worked so hard for every day, and she had no qualms sharing her life.
We all danced around each other in the small space over the next two hours as R painstakingly completed all the household chores (while her husband mostly sat and played with the children). She cleaned everything top to bottom. She went out and gathered water. She gave each child a bucket shower with the water out in the alleyway because there wasn’t enough space in the house. She washed all the dishes in the alleyway, crouched down, scrubbing each meticulously. She came in cut onions and coriander to make a morning pulao for her family and offered some to K and myself. Her portable gas stove took up the entire small counter.
While we were eating, the kids came over to study my camera and play with my iphone. They giggled and pushed each other around – I couldn’t help feeling like their games and actions were so familiar even if I couldn’t understand the words. Two older girls and a toddler son – just like how my family had been. The sisters tickled each other and poked each other, giggling at the games and pushing each other around every time their parents stopped looking.
It’s a conflicting feeling, watching a woman in Dharavi’s morning routine from the lens of a white, privileged person. You don’t want to glorify it by saying, “Oh, they are so happy. They don’t seem to care that they are poor. They work hard and love each other.” But you don’t want to diminish it by saying, “How can they live like that? How can people survive without space or light or privacy? How can this powerhouse woman, who I’ve spent so much time with over the last few months, possibly find the strength to do this every single day?”. The truth seems to lie somewhere in-between that – it’s not beautiful and its not impossible. It’s not a glorified life of poverty but it’s also not a miserable existence. This is life.
R’s husband left after breakfast- he works ‘cutting fabric for pants.’ R’s kids were out of school for Diwali so she instructed them to either leave or keep quiet while we set up the interview. R sat on her bed and K and I sat on the floor – although K had to kneel and try and keep herself on R’s eye level so it wouldn’t look weird on camera. It was assumed that no one around us would have a chair she could use.
And so she began talking – it was really hard for me, to sit back and hope for the best as my interview took place, essentially, without me. Because I didn’t want to interrupt the interview, K couldn’t translate for me until R finished answering each question fully, and even then she only gave me a summary, since I thought it would be awkward to have long pauses for R between questions. When I interview someone I normally can listen out to make sure the question has been answered, or whether I need to rephrase it to get a little bit more – here I’ll only find out whether it worked or not once everything is transcribed and translated.
But I was able to understand the basics of R’s story: her husband – the one who I’d marveled at moments before for his tenderness towards his wife and children – had previously had a habit of beating his young wife. R had confided to an aunt about the beatings and she directed R towards the non-profit she now works for. Initial counseling was difficult – her husband didn’t think he was doing anything socially unacceptable – but eventually he came around. She feels lucky, because so many of the women she sees now can never convince their husband that anything is wrong. R eventually began volunteering and was hired by the NGO a year ago. She doesn’t think violence will ever come close to being eradicated. But she’s hoping that they can make even a small difference.
When the interview ended we thanked R for letting us in and sharing her story. She smiled, we said goodbye, and made our way back into the alley.
As we put our shoes back on, K looked up.
“Can you imagine stepping outside your house and not knowing whether it was night or day?” she said. It was true – the layers of sheet-metal and drying clothing and extra stories and tarp all made it very dark and difficult to see the sky, even though we were outside of the house.
“I can’t,” I said honestly. But the thought was interrupted as R came out too, purse in hand, ready to walk us back out to the street. She led the way.
Bagels and Lakhs 