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Posts Tagged ‘great people’

A few weeks  after we moved to India I was having dinner with some new friends and was excitedly telling them about the new film project I was going to be undertaking. I mentioned that I was hoping it would me about five or six months and then I could do another project. I was a bit shocked when they all laughed at me. “Just don’t be surprised or upset if it takes you the entire year,” one of them said.

The crowd

I thought about that moment a lot yesterday at the screening of the completed film. It was only one month shy of being a year away from the very first meeting we had conceptualizing the film. And I realized that while those new friends had been right about the length of time everything takes in India, it had certainly been a ride that was worth taking the scenic route for.  The film has been a labor of love, patience, and immense growth.
The screening was held in a hall in Dharavi. I walked in and it was already packed. Every seat was taken and people were filling up standing areas in the back. The few fans were no match for the excessive heat, but no one seemed to mind. I spotted a lot of the women who had participated in the film- I wondered how they were going to feel, watching themselves on a screen in front of a couple hundred people in their community talking about their personal experiences with domestic violence. I looked around for S, one of the women I’d interviewed who was always notoriously late (her lateness had given me one memorable afternoon with her adorable and hilarious children). I couldn’t spot her.

Speech before the screening

We started with a few speeches and I was asked to say a few words (that were quickly translated for the almost entirely non-English speaking crowd). Then I sat and watched – I looked out at the sea of people as they took in the film. All I could hope was that the women in the film felt I captured their viewpoint as best I could.

When it was over we had a short question and answer session and then everyone escaped the heat to get outside for a photo exhibition that was going on in tandem with the screening. A number of women came up and shook my hand, saying thank you. A few others wanted photos. N, the head of the domestic violence center, gave me a big hug and told me how excited everyone was to show it  at all the upcoming meetings, events and trainings they hold- both in Dharavi and around Mumbai. “You don’t even realize how helpful this is going to be,” she said. It was the nicest compliment I could receive, since I already felt that they’d given me so much.

It’s hard to even begin to reflect on everything this adventure has taught me. I learned about the experiences of women who fight for survival and dignity on a daily basis without ever sacrificing joy or humor. I was able to see day to day life behind the statistics and news that I’ve read so much about. I was brought in, trusted, and treated like family by a group of women who could have closed themselves off to a stranger. They shared their stories with me so openly in order to help the organization they cared for so much. And, yes, with all the lateness and delays and rescheduled meetings they taught me to embrace their way of doing things, to have another cup of tea, and to take life with a bit more grains of salt.

So mostly I’m just grateful.

As I was leaving I spotted S. “I didn’t see you before! How did you like the film?” I asked.

“I came too late! Missed it. Oh well.”

And just like that, life returned to normal.

(And for those of you who want to see the actual film I’ve talked so much about, it’s embedded here. Finally!)

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We drove around slowly looking every building up and down for some clue to the past. Twenty years is a long time in any Indian city to hope that traces of a particular taxi stand would still exist.

You see, we were on a literary adventure of sorts. I mentioned in my last post that my dad had become particularly enamored with a book about Delhi called City of Djinns (I’m now mostly through it and I really can’t put it down). While the book mostly focuses on Delhi’s history during the Mughal Empire it is sprinkled with stories of the writer’s present day experience. Woven through the book are stories of the various people he encountered including Balvinder Singh, a lothario taxi driver who provides humor and perspective to the story (My dad’s favorite line: ‘May your mustache never turn gray!”). He quickly became my dad’s favorite character.

And so he decided that we must find Balvinder Singh.

The magnificant Humayun's Tomb

The book was published in 1993 but the author’s year in Delhi was 1989, so I thought this was a bit of a fools errand. Beyond that, the only locational clue we had was that the taxi stand was at the back of the International Center (which gave the taxi stand its unintentionally hilarious name, ‘International Backside Taxis’). We’d spent the majority of our day in Delhi going to the main tourist sights: the Red Fort, Jama Masjid and Humayan’s tomb. And each one was spectacular and breathtaking. But after every stop my dad would say, “Ok, but lets not forget we have to find International Backside.”

A view of the Red Fort

So finally, as the day wore down and we were headed back to the hotel, we decided to give it a shot. Maybe Balvinder Singh and his father Punjab Singh were still running their business with the rest of the Singh family?  My dad thought that since the book had given us so much depth to the historical sights we were seeing – allowing us to imagine the feel of each place during its time of Emperors and great architecture, war and prosperity – we should also want to give life to the details of the modern elements of the book.

As we drove around we finally spotted the International Center; it felt like a large victory until we realized that there didn’t appear to be a ‘backside’. We took a left and then another left to see if there was anything on the other side – in this particular area of Delhi the blocks stretched on and as we drove around I started to get the sense that maybe the whole area had been changed too much. Maybe one of the beautiful bungalows we were looking at had required razing the local taxi stand to the ground. We came back around the corner, deciding that we would stop into the International Center and show them the book to see if they knew anything. But as soon as we had made this new plan, my dad suddenly shouted out: “Stop, stop! There’s a taxi stand, look!”

I couldn’t believe it – down a very small gravelly alleyway, in the midst of a posh road in Delhi was a small line of old black and yellow Ambassador taxis with a group of Sikh men sitting around on stools drinking chai. We stopped the car and my dad jumped out.  He opened his book to a page detailing Balvinder Singh and held it up to one of the men, who had stood up and walked over in his curiosity. Our driver (who probably thought we were crazy) got out to translate. They talked animatedly until the man nodded his head and walked away.

Showing the book

He came back with another older man, who spoke a bit of English. He wore a bright orange turban and was missing most of his front teeth.

“You are looking for a Singh?” he asked. My dad explained about the book and that Balvinder and his father Punjab were characters. The man squinted and looked at the pages of the book, as though some person was going to spring to life right out of its type. He laughed.

“Very interesting this book!,” he replied, indicating that he was well aware of the Singh family. And he had an update on everyone.

Dad and his many new friends

“Punjab is died three months ago. Very sad. Balvinder moving to Canada about ten years ago. The other Singh brothers is now driving taxis in South Delhi. But they used to be working right here.”

I was astonished. We may not have been able to meet the Singhs, but we were able to extricate them from the page – we saw with our own eyes the taxi stand described so frequently in our newly beloved book and we had a twenty-year-later update on a family that until moments ago remained vaguely fictional.

My dad and the man continued to try and chat – talking about chai, their ages and Ambassador cars. Eventually we said thank you, shook every single cab driver’s hand, and got back in the car.

I don’t know why it was so thrilling – perhaps being able to bring to life a person from a book that had so effectively brought old Delhi to life made everything we had read seem so much more tangible. If Balvinder Singh could be real, couldn’t I better picture Shah Jehan listening to an audience of subjects in the Red Fort? Or perhaps even trapped in the Agra Fort by his bloodthirsty son Aurangzeb?  Could I suspend my imagination and see Chandni Chowk with elephants strolling down its length and shopkeepers selling their wares at a time when the buildings looked new and fresh?

It was just a small slice of Delhi – and yet for us, the city seemed a little bit more knowable.

 

(Addendum: A lot of people have written and asked how my mom is feeling after her sojourn with Delhi belly: She is completely fine now! Back to her old self and enjoying the rest of the trip)

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About seven months ago I agreed to direct a short film about domestic violence prevention in Dharavi. From the moment the project was conceived and I agreed to take it on, I’ve been very nervous about how I could represent a place where I couldn’t even properly communicate to people. How would I possibly be able to tell their story in an accurate way?

Because of my desire to keep the film as honest as possible, I spent a few months going to Dharavi and shadowing the women I’d be filming. I got to know them through the translations and I decided that I would center the film on the lives of three of the women who worked for the organization, and tell the story through their stories.

It’s been a really long process- everything in India takes time, but working with NGO’s is an extra layer on everything. People are late, meetings get cancelled, filming gets moved, equipment isn’t procured in time and on and on and on. It shouldn’t take seven months to make a twenty-minute film. But that’s how long it did take – months of studying and researching, deciding, making decisions, hard drives breaking, making phone calls and filming over and over again in really difficult conditions without a lot of help.

But I loved it. I loved everything about working with these women. I loved their defiance of the only system they know. I love how they don’t even realize how amazing that seems to an outsider. I love the colors they wear and their children and the hot cups of chai they’re always shoving down my throat despite never having enough for themselves. I might even love (just a little bit) their penchant for always being late and changing plans and standing me up, since that’s a slice of India.

So as I wrote out the script and edited the pieces together I started to become very nervous again. Every word of narration was scrutinized: Does this fit their voice? Does it sound like the narrator is coming from a place above these women? Does it take too many liberties? Even though the narration only counted for less than two minutes out of twenty, I was so concerned with the tone. And I spent just as much time cutting together the words the women had spoken. Did they really want to share this much? Is it exploitative to show this much about the violence that they have faced? Am I including everything that would be important to them?

I wanted it to feel accurate. I wanted the women to watch their film and feel like it came from them. Because that’s what their organization is all about: they are focused on their community, on raising each other up and from building a new set of norms from within. They don’t have trained social workers parading into Dharavi telling them what values they should have. The women from Dharavi try to coax each other into fighting for the rights they deserve.

And I didn’t want to be that outsider parading in.

Yesterday we had a small screening of the rough cut of the film. It’s not done – I still need to add in the real music and do color and audio correction. But I wanted to show it to the woman, N, who runs the domestic violence center in order to get her feedback before finalizing it. After all, if she didn’t like it I would need to make some serious changes. I’d already shown it to B, the woman who runs the organization sponsoring the film, so B invited us over to her place to watch it again and get N’s feedback.

When everyone had sat down I, of course, started babbling like an idiot.

“Just keep in mind that this is a rough cut…”
“Oh and the music is being replaced with other music that’s being written…”
“We still need to do color correction…”
“We can change or add anything…”

Finally I looked over and saw B shaking her head at me, laughing a little. She knew I was nervous. I knew I had to start. So I pushed play.

Throughout the whole movie I kept trying to look at N out of the corner of my eye. Was she smiling? Was she engaged? Was she about to check her watch out of boredom? After twenty very long-seeming minutes, the film ended.

I turned and looked at N, just waiting to hear what words would come out of her mouth. I couldn’t breathe, I just wanted to know what she thought.

“I really loved it. It was honest. It felt like the story came straight from them.”

I exhaled. Those were the magic words.

It really isn’t finished yet – I have all those polishes and tweaks to make. And I know when I’m sitting through the larger screening with all the women from Dharavi I’m still going to be just as nervous. But for the moment I feel like it’s a little bit of mission accomplished – all I wanted was for it to feel genuine and I’m really glad that’s what came across. Hopefully I’ll be able to share it here when it’s done.

Now I get to transfer my nervous and excited energy into something else: my parents’ arrival in India. I’m sitting here writing while they are in the air. I’m counting down the minutes (a lot more than twenty!). So next time I post you’ll get tales of parents and a trip to Rajasthan (where I will finally see the crown jewel of this country I’ve spent so much time in, the Taj Mahal). A lot of excitement for one week. Until next time…

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“Can we possibly order three cups of chai, one order of onion pakoras and some firewood?”

That was certainly a phrase I didn’t know I would ever utter.

The road driving up to Munnar

Everything changed after we drove off the red dusty roads of Tamil Nadu and up into the lush mountains of Munnar in Kerala. As we drove, it seemed like the world we had just been in was slowly disappearing – the air started to clear; the language subtly changed from Tamil to Malayalam; the cows and dogs and goats that populated the streets started to look healthier; tropical plants were replaced with tea plantations and rugged trees; and of course, we lost all cell phone service.

The altitude, the dramatic scenery and the windy roads felt like a new world.  Munnar was like no place I’d seen in India – it is truly off the grid in every sense imaginable. In a weird way, the trees and mountains and lakes kind of reminded me of a bizarre version New Hampshire – except it wasn’t snowing in January and everyone was Indian. Except us, of course.

Our hotel

We arrived after a long drive up into the mountains, and then onto a rocky dirt road that we could only get up with the help of an ancient 4-wheel-drive Jeep. Our hotel was in the middle of nowhere- a few houses and farms spotted the area, but otherwise it was just the hotel. Breathing in the clean, crisp air it was hard to remember we were in the same country we’d just come from.

After a night’s rest and the inevitable ordering of firewood (yes, our cabin got quite cold at night!), K and I decided that the only activity for the day could be a hike. So we set off with a guide from the hotel, who instilled a bit of initial fear when he told us to watch out for leeches.

taking a picture half-way up

We climbed and of course I lagged behind – I always love a good reminder of how completely out of shape I am. I was a little bit embarrassed when I saw a chatty group of older women sauntering up the mountain as though it was nothing at all. We had stopped halfway up and I was watching them as they climbed. When they saw us, they giggled and took a moment to gawk at the funny white girls trying to climb up their mountain. One of them offered us a piece of fruit – it was yellow on the outside and looked like a passion-fruit. Our guide said it was okay to eat and I thanked the woman. I stood, catching my breath and eating a piece of delicious fruit- that certainly wasn’t a bad way to spend a day.

As we continued to climb we eventually saw the same group of women heading down – but this time, they weren’t quite as chatty. As they came towards us I noticed they were all carrying huge, long stacks of wood on their heads. Their arms balanced the wood while their bare feet balanced their bodies down the narrowly demarcated path. They were hardly breaking a sweat. I caught the eye of the woman who had given us the fruit, and nodded. She smiled back, completely unfazed by the poundage bearing down on her head.

A view of Munnar

Since moving to India I’ve been endlessly enjoying watching the ways in which people go about their days.  And as I continued to pathetically huff and wheeze my way up the mountain, I couldn’t help but hope that this would be what I’d remember when I’m back in New York and totally caught up in the day-to-day pressures and expectations of my life. It’s amazing how much it feels like none of that matters when you’re so far away from it.

View from the top

But these thoughts dissipated as soon as we reached the top because all I could think of was sky and mountains and clouds. It was really something to see.

I hate to invoke the old cliche that a picture is worth a thousand words, but in this instance I don’t even think a thousand words could do justice to the breathtaking views. So I’ll end this post with some photos – and a true appreciation for the little slice of India called Munnar.

The mountain we climbed (in the background)

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I sometimes forget that only a few months ago India was a complete unknown to me – I think and behave now as though I belong or that I have a deeper understanding of my adopted country. I haggle and head-bobble to the point of surprising (and maybe even disturbing) friends who aren’t accustomed to my adopted Indian ways.

But of course, every time I think I’ve got it all figured out, India reminds me that I know nothing.

Coming to Tamil Nadu was like a kick in the gut – my Hindi means nothing here in a Tamil-speaking stronghold. After being assured by everyone up and down that there was no possible chance of rain post-monsoon, we encountered an afternoon storm. Familiar food staples have been upended by a world of thalis and dhosas. Despite having spent time in South India in Kerala, Tamil Nadu seems like an entire world away from safe familiar Bandra – and every Tamil I meet is happy and eager to explain to me how different they are from ‘northerners’. I have to say, it feels amazing to be reminded that whatever Indians might call me-  white person, foreigner, gora or ‘Canadian,’ (what one Tamil person seemed to think the Tamil word was for Caucasian) – as a perpetual outsider I will always have quite a lot to learn and be surprised by.

Sri Rangan temple

Our time in Tamil Nadu has centered around seeing temples- another thing I thought I could no longer be surprised by. After Angkor Wat and Borobudur and Prambhanan and Ranakpur I sort of thought I’d run the gamut. But because I’m traveling with two friends who hadn’t been to India before I thought that temples were a pretty important stop – and I’m lucky they let me come along with them, because South Indian temples are unique and powerful unto themselves. Over the last four days we explored temples in Trichy, Tanjore and, today, the epic Meenakshi temple of Madurai.

All of us on a roof facing one of the Vimana's of Sri Rangan

In Trichy we saw the Sri Ranganthaswamy Temple (Or Sri Rangan for short, thankfully). Dedicated to the god Vishnu, it’s a massive temple within walls within other walls over 156 acres that has been continuously built over the last 1,000 years. The most recent tower was only completed in 1987, but others date back to what is believed to be the 11th century. We got all of this information from a guide named ‘Bruce Lee,’ who insisted on telling us serious stories about Hinduism interspersed with showing us his favorite Karma Sutra carvings.  He also showed us how to be blessed by an elephant representing the god Ganesh – I told M and K they’re probably going to have to fib on their customs forms when asked whether they’ve been near livestock (see video below to watch the elephant in action!).

Brihadeeswarar Temple in Thanjore

Our next temple was the Brihadeeswara Temple in Thanjur, dedicated to Shiva. Built in 1010 during the Chola Empire, this UNESCO World Heritage site boasts India’s tallest Vimana, or temple tower. Standing under the sandy-colored intricately carved granite stone, I couldn’t help but be overwhelmed by the structure – how could anyone reach those heights and carve stones so finely without scaffolding or machinery? These thoughts kept getting distracted by the dozens of tourists hounding us to take our picture – I was once again reminded of how bizarre we must seem. Two white women and a white man wandering around their temple, snapping photos and laughing amongst ourselves. One man wanted to try on M’s sunglasses while children crowded to look at the magical photos popping up on the back of K’s camera. It was a funny sensation to be among the familiar- two of my oldest friends – while being treated like the most interesting oddities around.

Exterior of Meenakshi Temple

But we certainly saved the best for last.

Interior of Meenakshi Temple

In Madurai we got to see Tamil Nadu’s most renowned and beloved place of worship – the Meenakshi Temple. We were delighted to learn this was the only Indian Hindu temple devoted to a woman, Meenakshi (or Parvati), the wife of Shiva. It is one of the largest Hindu temples in the world and certainly one of the most elaborate. While the structure was built in the 17th century, it is believed a temple has stood in this spot since at least the 7th century – and today it represents the center of the sprawling, dusty, decidedly non-colonial city of Madurai.

Getting a bracelet knotted

It was hard for me to ever imagine a city crazier than Bombay, but I think Madurai is it. It is loud and bumpy and often incredibly over-run with advertising and run-down buildings – but it has also proven to be a place where M, K and myself have all relished in meeting and interacting with a population that wants to display their (self-described) southern hospitality.  Everyone we meet – even the people blatantly trying to sell us something – has wanted to convey to us that their portion of India has as much to offer as the more heavily-trafficked north. And our guide, Natarajan, at the Meenakshi Temple, made it a point of pride to try and make sure no one took advantage of us or sold us anything too expensive. It was wonderful to take in the beauty of the temple, but I think the highlight by the end was the jokes we could share with the tailors we were haggling with or the bracelet tied on our hands (for no money! no money!) by a shop-keeper.

Tomorrow we are leaving Tamil Nadu to go into the mountains of Kerala. It will be a sharp departure from the crazy city into the lush plantations, but I feel glad just to have gotten this taste of the south. And if I forget, I’ll be able to look down at the bracelet securely knotted on my arm and remember the place that helped jolt me out of my own India bubble.

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I really thought that I was being brave – darting around traffic for 2 hours in 90-degree heat in Dharavi to try and film from every angle; walking backwards to get the image of the women walking forward; holding the camera up without a tripod while my arms started to get sore. It was pretty daring for me – normally in Dharavi when I walk anywhere I spend most of my time watching my feet so that I don’t step in something unsavory or trip over a broken tile.

But I’ve got nothing on these women. They are truly something.

At the back of the rally

Today we were filming a rally – the workers and volunteers from the domestic violence prevention center were going to march through the streets in Dharavi with signs and banners while handing out leaflets and putting up signs about preventing abuse. That alone should be considered brave in the place and culture they inhabit.

But around the moment when the rally stopped right in front of a mosque, and women began talking on a bullhorn about rights while others taped signs to walls detailing how to report abuse I thought to myself: these women have chutzpah.

There’s nothing like the look on the faces of conservatively dressed Indian men watching women in saris and hijabs tell them how to act (and educating their wives on what they’re legally entitled to). It’s priceless.

I love watching the camaraderie of these women. They all come from different castes, they’re ethnically different, religiously different; many speak different native languages from each other. Two Tamil women – whom I had previously gone to a meeting with – grasped my hand when they saw me; Dharavi is practically a foreign country to where they grew up and yet here they were, marching in a rally with signs in Hindi (a language they can’t read), and welcoming a random white person who is filming them. They walked away holding hands with each other – even as they marched they still held hands, stronger together than they would be as individuals.

And for me that theme pervaded the whole march – in Dharavi, women’s rights are so tenuous; without a group behind them to remind them that they deserve better, it would be hard to go so strongly against the grain.

I don’t know if people really read or take seriously the pamphlets that they’re handing out – maybe no one does – but I think it’s worth it even if it just makes these women feel like they’re in it together. And I’m happy to be there with them – even if my arms certainly hurt the next day!

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I started to feel like the literal wicked witch of the west.

I wanted to interview B – one of the senior field workers at the NGO in Dharavi – outside on her stoop. Besides desiring outdoor light instead of a windowless interior, her house had the added bonus of being painted sea-foam green with a red door and she was in a yellow sari. It seemed like a good idea at the time.

I should have guessed that white person in kurta + camera and tripod + Dharavi would equal difficulties. But the good light and the colorful background seduced me.

By the time we had started filming 30 people had crowded around us. B happened to live on one of the main lanes in her section of Dharavi, and so there was more open space than in most other parts of the sprawling slum. It stopped feeling that way once I had ten children breathing down my neck gawking at my view-finder. And every time one of them giggled or whispered (and I subsequently heard it coming through the audio in my headphones) I would turn around, put my finger over my mouth and make a clear ‘shush’ gesture.

It didn’t have the desired effect. Either the children would start laughing at my face (literally) or the adults around them would start to announce loudly in Hindi that everyone should be quiet (or so my translator K informed me). It went this way for most of the hour-long interview.

But after all the shushing and hand-gestures and mockery from children, we did end up with a great interview from B. She was lucky enough to have come from a supportive family – her parents had raised her in a very unorthodox home where both parents were active in community organizing and women were viewed as mostly equal to the men. For a woman in her 40’s to have grown up like this in Dharavi is pretty rare.

But it instilled in B a desire to do social work. After she was married, she originally started volunteering with a group in her husband’s neighborhood (their particular area of Dharavi is for people who specialize in pottery-making). She said that in the beginning, her neighbors ostracized her. But since she loved her work, she didn’t care.

Her volunteer group eventually started working with the domestic violence prevention NGO (the one we’re making the film for) and eventually B began to work for them. She enjoyed being the person that women in her community came to, and she didn’t see her job as work. She said most nights, women come in and out of her house at all hours seeking her advice.

When the interview ended, sure enough, a woman was there, waiting to talk. The woman explained that her son-in-law was beating her daughter and the mother was worried that she wasn’t going to get help. As they went inside to talk, I hesitated. I certainly want to intrude on the conversation. But the woman indicated that she didn’t mind.

So I stood and filmed. I asked K to wait outside so there would be as few people ‘eavesdropping’ as possible. But even without understanding the words it was clear that B was the right woman for the job. She listened, placing her hand on the woman’s hands as she spoke. When the woman began to cry B cupped her hands around her face and said nothing, but it seemed to me that the gesture was meant to convey that she had strength enough for them both. When the woman was done explaining B began to talk – quietly, but with the sheer force of a woman who believed she could solve the unsolvable. When the woman got up to leave she took B’s hand in hers and held it for a long moment.

We went back outside and I told K to tell the woman that I appreciated being able to film the conversation. I tried to joke that since I don’t speak Hindi, I didn’t know the secrets in she was sharing anyway. She smiled and put her hand on mine, which was still clutching my camera.

As she walked away, she seemed stronger – empowered with the ability to improve her daughters life, or at least knowing that there was someone strong standing behind her.

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As I wrote about previously, my friend B is getting married in March and she is (bravely) doing her wedding invitations here in Mumbai.

This is a process that has some clear positives and negatives – the main positive is, not surprisingly, that it is much, much cheaper to do invitations here. The drawbacks are that the process takes longer and sometimes you fear that important elements will get lost in translation.

But after a lot of searching B had settled on Nikunj – the only person on ‘wedding invitation street’ who spoke English well and seemed to understand what she wanted. He seemed to find us amusing enough to put up with the multiple meetings, emails, calls and tweaks that it took to get it right. I certainly enjoyed watching the process unfold – its amazing the difference between American and Indian wedding invitations.

But eventually it came together: the design was set, the paper was picked and the colors agreed upon. It was time to print.

Early on in the process Nikunj had offhandedly mentioned that they did the printing nearby and it was all by hand. We were instantly excited at the idea of seeing invitation-making in action. So Nikunj had agreed to allow us to go to the printers with him.

We set off not really knowing what to expect. We walked up a steep ladder into a muggy room with 5 or 6 sweaty men – some were standing around, others diligently working on some letterhead. It was actually incredible – one by one they were making company letterhead with ink that they would briskly push across a silk-screen. B asked Nikunj if this was expensive letterhead – after all, getting each page done by hand must cost extra.

“No, this is normal letterhead,” he replied, waving away the question as though there wasn’t any reason to think human labor was costly.

And once again there was that reminder of the cost of doing business in India. To have two actual people sitting at a contraption manually putting out these pages was infinitely cheaper than buying and maintaining the machine that could do it without any help.

But we soon got sidetracked once we caught sight of the silk-screen for B’s invitations. We watched as the printer carefully started gluing paper down – he was creating a corner to align each invitation so that everything would be straight. This was not a high tech process.

What B really wanted was to check that the ink color matched her swatch – so we stood by and saw as the men mixed ink together, bit by bit until the colors eventually fit the swatch. You could tell this was something they could do without really thinking about it. Or as Nikunj said, “they can mix the colors with their eyes closed.”

Modern ink was being poured onto machines that clearly had been used for generations. The silk-screens were carefully cleaned by hand after each test batch of color. Fans whirred away as we stood watching. I was glad we’d been allowed into this very specific world of printing.

But I was also a little bit disappointed when, as we were walking out, Nikunj mentioned that in a few years he hoped to be able to buy machines to do the printing. His logic was that it would be faster. In the monsoon they wouldn’t have to wait for everything to dry. There would never be imperfections.

I couldn’t help but think of the men who could mix ink with their eyes closed and our wonder at watching them whisk the ink over the paper like magic. Maybe that’s glorifying a sweaty workshop a little too much. But I started to feel like we were getting to watch an art that may not be around for too much longer.

I think it might be time for me to order some new stationary.

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I have to be perfectly blunt and say that I can’t possibly fathom what it is like to live in a 10-foot by 10-foot room with one window and one stove and no bathroom with my entire family.

In fact, I don’t really know how to realistically process and respond to my first foray into residential Dharavi without falling into the trap of minimizing, dramatizing or romanticizing the experience.

All I can really say is that now I have seen with my own eyes the living standards that I have heard so much about since moving to Mumbai. And there are a lot of impressions and thoughts that came with my first visit.

I went back to the hospital to meet up with the supervisor who I had been shadowing. He informed me that today, instead of a group meeting, he and his field workers were going out into the community to distribute information about hygiene. This monsoon is the worst in five years and there has been a serious outbreak of malaria and dengue.

I tried to ask in the most polite way, as I had every day, what this had to do with curtailing domestic violence (since that, ostensibly, is their main mission).

“It has nothing to do with violence. But we give information, which is good. Then some people will come to meetings about health care, which they are interested in. Then, once they are involved, we can talk about ending violence. If we start with violence, nobody cares.”

I followed him out of the hospital wondering how he and his field workers get the energy to go out every day when they can’t even raise the topic that they are interested in. It just seemed so daunting.

He informed me that we had to drive to the area we were going to (Dharavi is, after all, very large. At least a million people live here). As we drove he tried to warn me.

“Just… be aware of your feet.”

“My feet?”

“Yes, your feet. They will get dirty. I hope that’s ok.” He didn’t elaborate, but I got the general gist.

We pulled over once we’d gone as far as we could go – I very quickly realized that walking was going to be difficult, let alone driving.

The method for the day was to go “door to door” (I put that phrase in quotes because most of the homes did not have physical doors beyond a makeshift bed sheet).  We walked in from the street and it immediately felt like we’d entered a maze.

They path between houses

Walking into a residential section of Dharavi is actually kind of reminiscent of walking through the tightest alleyways some small European town – if the town were made of poorly constructed cement structures and if you’d been transported back to a time with little plumbing and amenities.

Each home is directly connected to the home next to it, and you maneuver through the area with only a small 2-foot wide pathway serving as your sidewalk. In the middle of this pathway is a hole running the entire length that serves as both a place to lay small pipes and as a moat of sewage.  This is the part that really gets to you if you’re not used to it – there’s a constant pervasive smell of garbage and sewage, which is only exacerbated by the lack of fresh air making its way in. The lanes are so narrow much of it is covered with tarp, so the smells and the heat combine together throughout.

This also creates a trap for the heat– so even though I hadn’t been too hot before we entered the slum, once I was inside the narrow pathways the stale air, confined quarters and number of people surrounding me ensured that I existed in a permanent sweaty state.  But, on the other hand, it started making me cognizant of the small victories: every time a breeze came through I felt it was the coolest moment of my life. I quickly appreciated every wisp of the wind in a way I never had before.

The scene that was laid out in front of me at each turn of the corner was similar– every home had one room, the structure was made of some combination of cement, brick and wood, the roofs appeared to be made of a kind of sheet metal.  Inside every room there was usually a stove, some mats for beds, and a few personal items. A good number of the rooms had televisions – one of the many contradictions that existed in the slum. When at one point I found myself standing at a vantage point where I could see above the structures, I noticed that every third home appeared to have a television dish.  And for every person watching television there were five more staring down at his or her mobile phone.

Color along another path between houses

There was also color everywhere – walls were painted in bright hues, varying clothes dried on the outside of every single house, and children in school uniforms were always running through, brightening the alleys. I don’t know whether it was purposeful or not, but the constant explosion of color gave the slum a vibrancy that seemed to defy the darkness that pervaded in each of the individual rooms.

I mostly just watched as the field workers approached each home and handed out pamphlets  (which had words and text depicting healthy bathing habits, proper garbage disposal and boiling water properly). Some people would only politely accept the handouts without any discussion. Others would take more time and ask questions.

I asked the supervisor what sorts of questions were most common. He said that some people couldn’t read the pamphlet and so they needed to understand the content. Others wanted to know more about the organization. It was in these instances that the field workers could try to encourage the residents to come to a meeting (and they were going to hold one directly following their leaflet distribution). It was their first stage in getting people involved.

Sometimes the discussions took longer – a few people wanted to share their difficulties with the field workers and they would stop to listen and encourage. One woman got angry. She started yelling and talking very animatedly. I had to ask again what was happening.

“She thinks we are useless,” the supervisor said matter-of-factly, “She says if we really wanted to help we would bring medication and other supplies. She says no one will help her and her family.”

“How do you answer that?” I asked.

“Well, we gave her information on clinics that she could go to and places that do give out medication. I understand why she is angry though.”

I didn’t respond. It was still hard for me to shake my previous thought: how could these people be strong enough and motivated enough to do this work every day? These community workers were standing there being yelled at, and instead of being frustrated they were sympathetic of where the anger came from.  I was constantly struck by their enormous patience.

I felt pretty useless in the whole endeavor, but the women kept nudging me along and helping me find my way. They still seemed to accept me, and I felt sort of flattered that they’d actually let me come along for the task. The Dharavi residents themselves mostly just stared at me. Since the pamphlets we were handing out were from Unicef most asked if that was where I was from. It usually started with pointing towards me and then I’d heard the words “gora” and “unicef” thrown in until the field workers responded with “Ali” and “film”. I could usually tell once the conversation had ended because they’d all stop paying attention to me.
The only people who never stopped staring were the children. Every single one, from toddlers to teenagers, looked at me for however long I was standing in their doorway. At many points children would just appear, clearly after having heard that a white person was in their midst. The ones who were learning English wanted to practice. They’d ask to shake my hand and they all wanted to know my name.   When I tried to respond to them in Hindi (saying what my name was or letting them know that I spoke only a little Hindi) they laughed and tried to repeat what I had said in my clearly very foreign accent. But their laughter filled up the constricted alleyways and brought it to life.

The only difficult point for me came when I almost fell headfirst into the narrow sewage stream in the middle of the pathway. Every time I walked I had to focus on putting one foot in front of the other – the pathways were certainly not paved in any standard way and there were often steps or cracked tile or a steep inclines. One turn that looked like a path ended up being mud and I started to slip. But I quickly had at least 10 pairs of hands on me – every field worker and every woman they were talking to had reached out instantly to stop my fall. When I didn’t fall in they all smiled and patted me on the back.

I don’t want to extrapolate too much from one isolated incident, but it certainly made me feel the sense of community that existed there. Maybe that’s my outsider desire to see the good in a dire situation, but it appeared to me that everyone’s instinct was to protect even the visitors. It’s a difficult life and it seems like everyone has accepted that they all need to come together to co-exist.  And maybe it’s from there that the field workers keep the momentum to do the difficult work that they do.

I don’t know if any of these instincts are right. But I’m certainly looking forward to delving in further and trying to tell these women’s stories.   Watching the number of people who showed up for the post-distribution meeting I certainly started to feel more empowered. I sat in a schoolhouse – one room with a broken fan with one chalkboard and no chairs – as the field workers gave an in-depth discussion of disease prevention to the fifteen women who’d showed up. It’s slow work, but little by little they are enacting changes in their community.

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We marched out of the Dharavi hospital with a sense of purpose. I’d come back to begin my project here with the domestic violence prevention center. I’m going to be documenting the work they do and so I’m starting by shadowing for a few days.  I’d met up with the supervisor in the main office, but he was taking me to the field office, in the heart of the slum.

We had to go single file – there are no sidewalks in Dharavi that I’ve seen. We were walking along 60 Foot Road, which is named quite literally for the width of the street.  It’s a bustling thoroughfare with shops on either side and then trucks, cars, motorbikes, people, stray animals, and trash all crowding the road.  Because of the monsoon everything is wet and mud sticks onto my feet and legs within the first steps. At times I had to breathe through my mouth when passing a particularly garbage-filled (or excrement laden) area.

I tried mostly to concentrate on putting one foot in front of the other and following my leader. I kept one eye on his black shirt in front of me and one eye on the ground so I didn’t fall or step on anything that could hinder me. We maneuvered through large good carrier vehicles parked on one side of the road while cars and motorbikes went around us on the other side. It’s like an elaborate game of Frogger getting through the Dharavi streets, and you can’t stop paying attention for more than a moment.

But when I could steal away moments of attention, I tried to take in the energy of the place. It’s like it’s own small city in the middle of a metropolis. The commotion has a pattern and every shop and stand is bustling with the breath of the community. It’s colorful and chaotic and exciting – even while you’re trying not to get run over.

By the time we got to the office my sandals were soaked through and the bottom of my blue kurta was splattered with mud and dust and who knows what else. The office is mostly just an empty room with no windows and no formal door – paint cracked on walls that were entirely empty except one team photo. Everyone sat on the floor, paying no attention to the one piece of furniture in the room, a desk with an unused old computer. But the circle of women that occupied the space filled the room with their vibrancy.

I took my shoes off and sat with the women, who were diligently writing in notebooks on wooden trays perched on their laps. One volunteer, who had been brought along to translate for me, alerted the group to my presence. In Hindi she explained who I was and why I was there. Everyone looked up and smiled at me – without words I knew I was welcome.

Through slow translations I began asking questions. The most vocal of the group, a woman of approximately 30 in a blue kurta with her hair pulled into a tight bun, started by explaining their day to day activities. In the morning they document the previous day’s work (hence the writing when I walked in) and do office activities. In the afternoon they hold sessions.  The sessions consist of groups of women from the community who want to talk about any issue that’s bothering them, whether it be sanitation concerns, food rationing, or safety. The field workers try to use these sessions to solve community issues as well as raise the problems of domestic violence.  Even though all of this was being said to me in Hindi, the woman speaking looked straight at me as she talked, as though she wanted to make sure the message was coming through.

I asked why the subject of domestic violence had to be addressed in such a roundabout way. A quiet woman in an orange sari with a slew of bangles and earrings responded animatedly once my question was raised. She said it’s an impossible topic in Dharavi. No one would come to their group sessions if they were just speaking primarily about domestic violence. Most of the time, if a woman raises the issue, she begins by saying she has a cousin or a neighbor who is experiencing violence in the home. Then the workers have to approach her later to find out if it is really she who is in need of help or counseling.

We talked for over an hour through translations about the various work they do beyond the group sessions – outreach campaigns and talks and films, youth groups and now even a men’s group. They have an upcoming campaign August 15th for Indian Independence day where they will try to recruit new members. They’re also now training more active members in how to deal with domestic violence throughout the community beyond the group sessions.

The women truly lit up when I asked why each of them had decided to make a career out of community work. All the field workers are originally from Dharavi and all the ones I spoke to had originally gotten involved through the groups they now lead. Most of them originally didn’t even know you could have a job where your duties were just helping others. But as every one went around the circle and told their individual stories it was clear that each had been inspired by the small changes they could create and now all were devoting their life to it.

We took a break for lunch before they went out into the community for their afternoon work. I sat, hesitant. I certainly didn’t want to get sick from eating street food in Dharavi. But even before the Hindi was translated I could see that they all wanted to share their food with me. They all now had questions for me and it was my time to share. As they pulled out their rotis and various vegetables they started quickly asking questions to my translator while motioning for me to eat.

I didn’t want to be rude. I couldn’t be rude – they had answered every question I had and had welcomed me in without hesitation.  And now they wanted to share with me.  So I took a roti, said a little internal prayer hoping to not get sick, and ate. As I ate I answered all their questions – why was I here in India? What country did I come from? Did I like being in Mumbai? Did I miss home? Did I like Indian food? Through the translation they all laughed and smiled and kept asking more and more questions.

And when lunch was over and they were off for their afternoon work I said goodbye and made my way back through the crazy streets of Dharavi. I’d be back the next day to see the group sessions and I already felt truly lucky to be able to watch them work in this place they loved so much.

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